
No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor.
Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country.
Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians.
Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.

A Fairy for Dessert
1992 · as Julchen

The Nightmare Woman
1981

Kobay
1986

Utopia
1983

Late Show
1977

Fucking City
1982 · as Kurt

From Here to Vanity
2000

Kismet Kismet
1987

Carl Andersens Underground der Liebe
2015 · as himself

Blonde to the Bone
1997 · as Nachbar

Wolfgirl
1984 · as Kurtchen "Marilyn"

Lost and Found in Underground: Lothar Lambert's Psycho City
2012 · as Self

1 Berlin-Harlem
1974

A Touch of Longing: His Fight
1973

You Elvis, Me Monroe
1990

Dirty Daughters oder Die Hure und der Hurensohn
1982 · as Betty

Now or Never
1979

Love/Hate Lola
1996 · as Lola