Ivry Gitlis

Gitlis acquired his first violin when he was five years old and started lessons under Mme Velikovsky together with his friend Zvi Zeitlin. He then studied privately with Mira Ben-Ami, a pupil of Joseph Szigeti. When he was eight, she arranged for him to play for Bronisław Huberman, which prompted a fundraising campaign to allow him to study in France.

In 1933, he arrived with his mother in Paris and started to take lessons with Marcel Chailley, husband of the pianist Céliny Chailley-Richez. Being very close to their family, he was introduced to George Enescu and Jacques Thibaud. In that period, he decided to change his birth name (Isaac) to Ivry. At 11, Gitlis (Jitlis) entered the Conservatoire de Paris in the class of Jules Boucherit, and graduated in 1935.

In 1938–1940, his teachers included George Enescu and Jacques Thibaud in Paris and Carl Flesch in Spa, Belgium and later in London.

In 1940, during World War II, he went to London where he first worked for two years in a war factory and was then assigned to the artists branch of the British Army. He gave numerous concerts for the Allied soldiers and in war factories. After the war he made his successful debut with the London Philharmonic Orchestra and subsequently played with the BBC and all other principal orchestras of Great Britain.

In 1951, as suggested by his teacher Alice Pashkus, he participated in the Long-Thibaud Competition in Paris, where he took fifth place. During the preliminary stages of the competition, a rumor circulated that he had stolen a Stradivarius violin during the war, which caused a scandal on the day of the final. Six years after the fall of Hitler, being a Jew in France was still causing debate. In the same year, Gitlis made his debut in Paris, playing in a recital at the Salle Gaveau, sponsored by the music manager Marcel de Valmalète (9 July 1951).

In the 1950s, he moved to the United States where he met Jascha Heifetz. There he made several tours, managed by Sol Hurok, including those conducted by Eugene Ormandy (Tchaikovsky, in Philadelphia) and George Szell (Sibelius, on 15,16 and 18 December 1955 in New York). Back in Europe, between 1954 and 1955, he recorded for the Vox label concertos by Berg (Violin Concerto "To the memory of an angel", coupled with "Chamber Concerto" -Vox PL 8660- which was awarded a "Grand Prix du Disque" in 1954), Tchaikovsky, Mendelssohn, Stravinsky (Violin Concerto, coupled with "Duo Concertant") and with the conductor Jascha Horenstein, Bartók, Bruch and Sibelius. His recording of Bartók's 2nd Violin Concerto and Solo Violin Sonata -Vox PL 9020- received the "Best Record of the Year" award from the New York Herald Tribune in 1955. ...

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