
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist.
He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

The Lovely Month of May
1963 · as Self (uncredited)

Chronicle of a Summer
1961 · as Self

Cinématon
1978 · as N°1256

Cinéma! Cinéma! The French New Wave
1992 · as Self

My Conversations on Film
2013 · as Himself

Ciné-mafia
1980

Son of Gascogne
1995 · as Self

Ciné-Portrait of Raymond Depardon
1983 · as himself

Outlaw
2025 · as Self

Freddy Buache, le cinéma
2012 · as Self (archive footage)

The Dreamed Films
2010 · as Self

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
1999 · as Himself

Jean Rouch: First Film 1947-1991
1991 · as Himself

The Doll
1962 · as Officer (uncredited)

The Mad Masters
1955 · as Narrator

Ciguri – Tarahumaras 98 - La Danse Du Peyotl
1998 · as Narrator

Jean Rouch, des mensonges plus vrais que la réalité
2004 · as Lui-même

Nouvelle Vague : El cine sin dogmas
2000 · as Self